Martha Mitchell nació el 2 de septiembre de 1918 en Arkansas, Estados Unidos. Estuvo casada con John Mitchell y Clyde Jennings, Jr.. Murió el 31 de mayo de 1976 en Washington, Distrito de Columbia, EE.UU..

Martha Nowill conocida por su papel en Vermelho Russo (2016), Entre Nós (2013) y Bewitched (2018).

Martha Ofelia Galindo nació el 12 de julio de 1929 en Méjico. Es una actriz, conocida por Un gancho al corazón (2008), Cero en conducta (1998) y El juego de Zuzanka (1970).

Martha Picanes conocida por su papel en Perro Amor (2010), Demente Criminal (2015) y Voltea pa'que te enamores (2014).

She has show biz in her blood. Martha Plimpton was born November 16, 1970, in New York City to two actors: Keith Carradine and Shelley Plimpton. Martha began her career at age 8, when her mom had a friend of hers, composer Elizabeth Swados, enroll her in an actors' workshop. At age 10, she got a small part in Rollover (1981), and also made a series of Calvin Klein commercials. Her first substantial film role was as a tomboy in The River Rat (1984); the following year, Steven Spielberg cast her in The Goonies (1985). Martha met River Phoenix while they were both filming The Mosquito Coast (1986), but since she was only 15 at the time, she did not go out with him. Even though she had a small part in the movie, it established her as a serious actress. Martha appeared in movies such as the screwball comedy Stars and Bars (1988) and, that same year, she was paired again with Phoenix in Running on Empty (1988). They dated for a while and then broke up. For a while, she was engaged to actor Jon Patrick Walker. As if making movies didn't keep her busy enough, Martha frequently worked at theaters and made her Chicago debut with the Steppenwolf Theatre Company Ensemble in "The Libertine" in 1996. As a member of that ensemble, she received a National Medal of Arts award in the autumn of 1998. As for movies, Colin Fitz Lives! (1997) and Eye of God (1997) in which she plays the starring role, have been run at the Sundance Film Festival. Although some recent movies have had low box office (Pecker (1998) $2.1 million, and 200 Cigarettes (1999) $6.8 million), Martha's performances shine and she often rises above her material. Perhaps recalling how important acting lessons were to her as a child, she donates her time and efforts to the "52nd Street Project" which is a not-for-profit organization dedicated to matching the inner-city children with professional theater artists to create original theater, by writing, directing and performing their own plays. Perhaps one of the inner-city kids she is coaching will be the next famous actress in Hollywood.

Martha Prentiss conocida por su papel en Friday Night Lights (2006), The Walkind De... Los Zombies Me Dan Risa (2015) y Operation Redpoint.

Martha Quina conocido por su papel en Alma Viva (2022).

Martha Restrepo conocida por su papel en Juego limpio (2005), La Ley del Corazón (2016) y Verdad Oculta (2020).

Professor Martha S. Jones is the Society of Black Alumni Presidential Professor, Professor of History, and a Professor at the SNF Agora Institute at The Johns Hopkins University. She is a legal and cultural historian whose work examines how black Americans have shaped the story of American democracy. Professor Jones is the author of Vanguard: How Black Women Broke Barriers, Won the Vote, and Insisted on Equality for All (2020), selected as one of Time's 100 must-read books for 2020. Her 2018 book, Birthright Citizens: A History of Race and Rights in Antebellum America (2018), was winner of the Organization of American Historians Liberty Legacy Award (best book in civil rights history), the American Historical Association Littleton-Griswold Prize (best book in American legal history), the American Society for Legal History John Phillip Reid book award (best book in Anglo-American legal history) and the Baltimore City Historical Society Scholars honor for 2020. Professor Jones is also author of All Bound Up Together: The Woman Question in African American Public Culture 1830-1900 (2007) and a co editor of Toward an Intellectual History of Black Women (University of North Carolina Press (2015), together with many articles and essay. Professor Jones is a public historian, writing for broader audiences at the New York Times, Washington Post, the Atlantic, USA Today, Public Books, Talking Points Memo, Politico, the Chronicle of Higher Education, and Time. She is an exhibition curator for "Reframing the Color Line" and "Proclaiming Emancipation" at the William L. Clements Library, and an expert consultant for museum, film and video productions with the Smithsonian's National Portrait Gallery, the Charles Wright Museum of African American History, PBS American Experience, the Southern Poverty Law Center, Netflix, and Arte (France.) Professor Jones holds a Ph.D. in history from Columbia University and a J.D. from the CUNY School of Law which bestowed upon her the degree of Doctor of Laws honoris causa in 2019. Prior to her academic career, she was a public interest litigator in New York City, recognized for her work a Charles H. Revson Fellow on the Future of the City of New York at Columbia University. Professor Jones is an immediate past co-president of the Berkshire Conference of Women Historians, and today serves on the boards of the Society of American Historians, the National Women's History Museum, the US Capitol Historical Society, the Johns Hopkins University Press, the Journal of African American History and Slavery & Abolition.